Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).

Arriflex 35 II C (Magazines)

35mm camera marketed by ARRI in 1964, made in Germany.
Arriflex II series is regarded as one of the easiest to thread 35mm cameras. It has an improved mirror reflex viewing system with larger viewfinder optics to prevent parallax distortion and interchangeable eyepiece. Since the motor is mounted to the bottom of the camera, the camera can be used both hand-held and inside the ARRI blimphousing.
II C is the most popular model in the series, many of which are still in use today. Same model appeared in production stills of Stanley Kubrick's Clockwork Orange (1971).