Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| people | village lady |
| object | door frame |
| others | Land inheritance |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| Sponsors | Land inheritance |
| People | village lady |
| Object | door frame |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date of Death | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| Material Type | Image |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Poem | 稼穡果園先祖種 後人承襲傳混仲 無奈不均起閱牆 公堂對簿互申訟 姊妹同根骨肉情 鄉規迂腐施愚弄 畢竟巨輪邁向前 平權性別世稱頌 大志男兒放四方 存心歧視難孚眾 遺下良田長禍苗 唏嚧泉下梅心慟 |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
Girl and the farming field
The windows frame resembled the Chinese character “田” (farm-field). A girl at the broken pane of frame denoted women's disadvantage in inheriting land property. Ho Sau made a metaphor out of the custom of depriving women of inheriting agricultural land property in the New Territories, making an irony of this tradition of gender inequality.
| Date | 1960s |
| People | village lady |
| Object | door frame |
| Others | Land inheritance |
| Material Type | Image |
| Collection | Ho Sau: Poetic Photography of Daily Life |
| Source | Courtesy of Ho Sau; Also published in 何綬著：《何綬詩情影集》香港：攝影畫報有限公司，1995年，頁113。 |
| Repository | Ho Sau |
| Note to Copyright | Permission for use is given by Ho Sau |
| Accession No. | ho_026 |
Other photos
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