20th Century Hong Kong Painted Porcelains—Gangcai
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20th Century Hong Kong Painted Porcelains—Gangcai
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Profile of Early Gangcai Practitioners

Early Painting Masters were from Chinese Mainland


The early paining masters mostly came from Mainland, some arrived via Macao or came directly from Macao. In terms of native place, many of them came from Gaoyao, Gaoming and Kaiping in Guangdong Province, those from Kaiping were predominantly from the Situ (or Seetoo) clan. The founder of Guangzhou’s long-established and most prominent Yee Shun Loong Porcelain Factory, Situ Junzhou, was a native of Kaiping, and descendants of his family later came to Hong Kong to start businesses. There were also significant number of practitioners hailed from Teoswa region and surrounding places.


3.3Pic1
Painting master Chan King Ho: native of Gaoyao (2016, photo by Mak Siu Fung; supplied by the Hong Kong Ceramics Research Society)
3.3Pic2
Painting master Szeto Wai Tak, a native of Kaiping, is descendant from the founder of Yee Shun Lung (1991, collection of Szeto Wing Chuen)
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Painting master Lee Siu Man, his ancestral home is Shantou (1950s, collection of Lee Siu Man)
3.3Pic4
Painting master Cheung Kam Ping, one of the earliest practitioners who came from Macao (1984, collection of Cheung Kam Ping)


Occupation Background of the Painting Masters


Most early painting masters used to work in painted porcelain factories in Mainland; but there were also some who only started their apprentices at the factories after coming to Hong Kong, a notable case is Tao Fong Shan Christian Centre in Sha Tin, which provide training on porcelain painting to Buddhists who moved in from various provinces in the Chinese Mainland to learn a skill for livelihood, while also taking the opportunity to spread the Christian faith. Later on, as Hong Kong’s Gangcai industry grew and mature, some locals began to join the trade. This convergence of diverse talents in Hong Kong gradually formed a composite community.


3.3Pic5
Photo of painting masters from Teoswa region at a temple of To Ti in Lei Cheng Uk village (1949 to 1950, collection of Lee Siu Man)
3.3Pic6
Porcelain painting masters from Chinese Mainland gathered at Yuet Tung China Works. (1953 to 1955, collection of Yuet Tung China Works)


3.3Pic7
Painting masters from different places of China working at the Art Ministry in Tao Fung Shan Christian Centre (Before 1966, supplied by Tao Fong Shan Christian Centre)
3.3Pic8
Renowned painting masters Lee Siu-man and So Siu-choy at porcelain factory in Castle Peak Bay (1952, collection of Lee Siu Man)


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Profile of Early Gangcai Practitioners

Early Painting Masters were from Chinese Mainland


The early paining masters mostly came from Mainland, some arrived via Macao or came directly from Macao. In terms of native place, many of them came from Gaoyao, Gaoming and Kaiping in Guangdong Province, those from Kaiping were predominantly from the Situ (or Seetoo) clan. The founder of Guangzhou’s long-established and most prominent Yee Shun Loong Porcelain Factory, Situ Junzhou, was a native of Kaiping, and descendants of his family later came to Hong Kong to start businesses. There were also significant number of practitioners hailed from Teoswa region and surrounding places.


3.3Pic1
Painting master Chan King Ho: native of Gaoyao (2016, photo by Mak Siu Fung; supplied by the Hong Kong Ceramics Research Society)
3.3Pic2
Painting master Szeto Wai Tak, a native of Kaiping, is descendant from the founder of Yee Shun Lung (1991, collection of Szeto Wing Chuen)
3.3Pic3
Painting master Lee Siu Man, his ancestral home is Shantou (1950s, collection of Lee Siu Man)
3.3Pic4
Painting master Cheung Kam Ping, one of the earliest practitioners who came from Macao (1984, collection of Cheung Kam Ping)


Occupation Background of the Painting Masters


Most early painting masters used to work in painted porcelain factories in Mainland; but there were also some who only started their apprentices at the factories after coming to Hong Kong, a notable case is Tao Fong Shan Christian Centre in Sha Tin, which provide training on porcelain painting to Buddhists who moved in from various provinces in the Chinese Mainland to learn a skill for livelihood, while also taking the opportunity to spread the Christian faith. Later on, as Hong Kong’s Gangcai industry grew and mature, some locals began to join the trade. This convergence of diverse talents in Hong Kong gradually formed a composite community.


3.3Pic5
Photo of painting masters from Teoswa region at a temple of To Ti in Lei Cheng Uk village (1949 to 1950, collection of Lee Siu Man)
3.3Pic6
Porcelain painting masters from Chinese Mainland gathered at Yuet Tung China Works. (1953 to 1955, collection of Yuet Tung China Works)


3.3Pic7
Painting masters from different places of China working at the Art Ministry in Tao Fung Shan Christian Centre (Before 1966, supplied by Tao Fong Shan Christian Centre)
3.3Pic8
Renowned painting masters Lee Siu-man and So Siu-choy at porcelain factory in Castle Peak Bay (1952, collection of Lee Siu Man)


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