Local Festivals Around the Year
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Hau Wong Birthday

The 16th – 20th day of the 8th month of the Lunar Calendar


Hau Wong, literally “Prince Marquis”, is a traditionally worshipped deity in the south part of Guangdong Province. There are several Hau Wong temples scattering in different places of Hong Kong, such as Kowloon, New Territories and the outlying islands. Despite the small number of worshippers, birthday celebration for Hau Wong was held every year at those temples within the traditional communities, which was were no less exuberant than other deities’ birthday celebration.

Hau Wong’s Identity


No conclusion has been drawn on Hau Wong’s identity. According to Chan Pak-to, a scholar of Qing Dynasty, Hau Wong should be the Prince Marquis Yeung Leung-jit, who was a general known for his loyalty in the late Southern Song Dynasty. He was bestowed the title ‘Marquis’ when he was alive and ‘King’ upon his death. Since he courageously protected the last emperor of that dynasty, the temple was built to venerate him. Other scholars suggest that Hau Wong was a person named Yeung Hau, people called him 'King Yeung Hau', who had cured Emperor Bing, the last emperor of the Southern Song Dynasty. Nonetheless, the unidentified origin does not undermine adherents’ devoutness to Hau Wong.

Different Birthdays


In Hong Kong, there are three birthdays for Hau Wong, namely, 6th day, 16th day of the 6th Lunar month, and the 18th day of the 8th Lunar month. The celebrations for Hau Wong’s Birthday in Tung Chung are of the largest scale for Hau Wong’s Birthday. According to the local elders, the birthday was on the 6th of the 6th Lunar month in the early years, however, farmers were normally busy with planting rice during that period, so the festival was rescheduled and became a five-day celebration after the Mid-Autumn Festival. During the festival, live Chinese operas and dramas for deities were performed free of charge for the residents in the neighborhood. Dinner gatherings and auctions for holy relics were also arranged. This heated festival had become an important celebration which connected residents from both the sea and inland in Tung Chung.

Tung Chung Hau Wong Temple


Tung Chung Hau Wong Temple is located at Sha Tsui Tau. There is a copper bell in the temple made in 1765, which infers that the temple was built no later than that year. Apart from Hau Wong, the temple also houses Choi Sun, the God of Prosperity, in the left room. The lifelike miniature human figures on the roof ridge are Shek Wan productions made in 1910. Both ends of the ridge are decorated with phoenix figures. The big square in front of the temple, which is said to have been used as a military training site, is now used for festival celebrations.

Festival Programmes


Festival started at 7pm on the first day, when members of the Tung Chung Rural Committee worshipped in the Hau Wong Temple and invited Hau Wong to watch the performance. Then began the Chinese operas and dramas for the deities including the play Six States Installation of Minister, etc. In the second evening, nearly hundred villagers and guests are invited to the grand free dinner held at the square in front of the temple. During the dinner, a stand-in Hau Wong statue was invited from the temple to watch the auctions for divine objects (including statues of deities, lanterns and sailing ships). Villagers were active in bidding, and all the revenues were reserved for funding the activities.

The 18th day of the 8th Lunar Month was the 'day proper' 正日of the festival. Villagers brought offerings (such as golden pigs and crowns for Hau Wong) to pay their homage in the Hau Wong temple. Members from Flower Cannon Associations also came one after another to return their tributes. Flower Cannons nowadays were simplified which were in the form of deity statues instead of additional huge paper floral tribute towers. Dragon and lion dancers also came to show their excellent skills in front of the temple to entertain people and the deities, which brought the celebration to a climax. In the afternoon there were Cantonese opera performances – first conventional auspicious plays, and then serious plays


Auctions for Flower Cannon


Opposite to the Hau Wong temple was a large theatre shed for the deities and villagers to enjoy Cantonese operas. The area in front of the stage could accommodate one thousand people. Dozens of small sheds were also built on both sides of the stage for members of Flower Cannon Associations to take rest. At 1pm on the fourth day, all associations gathered in the sheds to bid for floral tributes. The stand-in Hau Wong statue was invited from the Hau Wong temple by members of Tung Chung Rural Committee to ‘monitor’ the process.


There were 22 tributes in total for the bidders with the highest prices. The ‘first tribute’ and the ‘second tribute’ ‘auxiliary first tribute’? were the most popular ones. This unique redistribution approach was different from ‘fighting for the tributes’ or ‘lucky draws’ in all the other places in Hong Kong. The associations that obtained the tributes (that is, the deity statues) could keep them for a year and then return in the following year for another auction.





 
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The 16th – 20th day of the 8th month of the Lunar Calendar


Hau Wong, literally “Prince Marquis”, is a traditionally worshipped deity in the south part of Guangdong Province. There are several Hau Wong temples scattering in different places of Hong Kong, such as Kowloon, New Territories and the outlying islands. Despite the small number of worshippers, birthday celebration for Hau Wong was held every year at those temples within the traditional communities, which was were no less exuberant than other deities’ birthday celebration.

Hau Wong’s Identity


No conclusion has been drawn on Hau Wong’s identity. According to Chan Pak-to, a scholar of Qing Dynasty, Hau Wong should be the Prince Marquis Yeung Leung-jit, who was a general known for his loyalty in the late Southern Song Dynasty. He was bestowed the title ‘Marquis’ when he was alive and ‘King’ upon his death. Since he courageously protected the last emperor of that dynasty, the temple was built to venerate him. Other scholars suggest that Hau Wong was a person named Yeung Hau, people called him 'King Yeung Hau', who had cured Emperor Bing, the last emperor of the Southern Song Dynasty. Nonetheless, the unidentified origin does not undermine adherents’ devoutness to Hau Wong.

Different Birthdays


In Hong Kong, there are three birthdays for Hau Wong, namely, 6th day, 16th day of the 6th Lunar month, and the 18th day of the 8th Lunar month. The celebrations for Hau Wong’s Birthday in Tung Chung are of the largest scale for Hau Wong’s Birthday. According to the local elders, the birthday was on the 6th of the 6th Lunar month in the early years, however, farmers were normally busy with planting rice during that period, so the festival was rescheduled and became a five-day celebration after the Mid-Autumn Festival. During the festival, live Chinese operas and dramas for deities were performed free of charge for the residents in the neighborhood. Dinner gatherings and auctions for holy relics were also arranged. This heated festival had become an important celebration which connected residents from both the sea and inland in Tung Chung.

Tung Chung Hau Wong Temple


Tung Chung Hau Wong Temple is located at Sha Tsui Tau. There is a copper bell in the temple made in 1765, which infers that the temple was built no later than that year. Apart from Hau Wong, the temple also houses Choi Sun, the God of Prosperity, in the left room. The lifelike miniature human figures on the roof ridge are Shek Wan productions made in 1910. Both ends of the ridge are decorated with phoenix figures. The big square in front of the temple, which is said to have been used as a military training site, is now used for festival celebrations.

Festival Programmes


Festival started at 7pm on the first day, when members of the Tung Chung Rural Committee worshipped in the Hau Wong Temple and invited Hau Wong to watch the performance. Then began the Chinese operas and dramas for the deities including the play Six States Installation of Minister, etc. In the second evening, nearly hundred villagers and guests are invited to the grand free dinner held at the square in front of the temple. During the dinner, a stand-in Hau Wong statue was invited from the temple to watch the auctions for divine objects (including statues of deities, lanterns and sailing ships). Villagers were active in bidding, and all the revenues were reserved for funding the activities.

The 18th day of the 8th Lunar Month was the 'day proper' 正日of the festival. Villagers brought offerings (such as golden pigs and crowns for Hau Wong) to pay their homage in the Hau Wong temple. Members from Flower Cannon Associations also came one after another to return their tributes. Flower Cannons nowadays were simplified which were in the form of deity statues instead of additional huge paper floral tribute towers. Dragon and lion dancers also came to show their excellent skills in front of the temple to entertain people and the deities, which brought the celebration to a climax. In the afternoon there were Cantonese opera performances – first conventional auspicious plays, and then serious plays


Auctions for Flower Cannon


Opposite to the Hau Wong temple was a large theatre shed for the deities and villagers to enjoy Cantonese operas. The area in front of the stage could accommodate one thousand people. Dozens of small sheds were also built on both sides of the stage for members of Flower Cannon Associations to take rest. At 1pm on the fourth day, all associations gathered in the sheds to bid for floral tributes. The stand-in Hau Wong statue was invited from the Hau Wong temple by members of Tung Chung Rural Committee to ‘monitor’ the process.


There were 22 tributes in total for the bidders with the highest prices. The ‘first tribute’ and the ‘second tribute’ ‘auxiliary first tribute’? were the most popular ones. This unique redistribution approach was different from ‘fighting for the tributes’ or ‘lucky draws’ in all the other places in Hong Kong. The associations that obtained the tributes (that is, the deity statues) could keep them for a year and then return in the following year for another auction.





 
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Hau Wong Birthday

The 16th – 20th day of the 8th month of the Lunar Calendar


Hau Wong, literally “Prince Marquis”, is a traditionally worshipped deity in the south part of Guangdong Province. There are several Hau Wong temples scattering in different places of Hong Kong, such as Kowloon, New Territories and the outlying islands. Despite the small number of worshippers, birthday celebration for Hau Wong was held every year at those temples within the traditional communities, which was were no less exuberant than other deities’ birthday celebration.

Hau Wong’s Identity


No conclusion has been drawn on Hau Wong’s identity. According to Chan Pak-to, a scholar of Qing Dynasty, Hau Wong should be the Prince Marquis Yeung Leung-jit, who was a general known for his loyalty in the late Southern Song Dynasty. He was bestowed the title ‘Marquis’ when he was alive and ‘King’ upon his death. Since he courageously protected the last emperor of that dynasty, the temple was built to venerate him. Other scholars suggest that Hau Wong was a person named Yeung Hau, people called him 'King Yeung Hau', who had cured Emperor Bing, the last emperor of the Southern Song Dynasty. Nonetheless, the unidentified origin does not undermine adherents’ devoutness to Hau Wong.

Different Birthdays


In Hong Kong, there are three birthdays for Hau Wong, namely, 6th day, 16th day of the 6th Lunar month, and the 18th day of the 8th Lunar month. The celebrations for Hau Wong’s Birthday in Tung Chung are of the largest scale for Hau Wong’s Birthday. According to the local elders, the birthday was on the 6th of the 6th Lunar month in the early years, however, farmers were normally busy with planting rice during that period, so the festival was rescheduled and became a five-day celebration after the Mid-Autumn Festival. During the festival, live Chinese operas and dramas for deities were performed free of charge for the residents in the neighborhood. Dinner gatherings and auctions for holy relics were also arranged. This heated festival had become an important celebration which connected residents from both the sea and inland in Tung Chung.

Tung Chung Hau Wong Temple


Tung Chung Hau Wong Temple is located at Sha Tsui Tau. There is a copper bell in the temple made in 1765, which infers that the temple was built no later than that year. Apart from Hau Wong, the temple also houses Choi Sun, the God of Prosperity, in the left room. The lifelike miniature human figures on the roof ridge are Shek Wan productions made in 1910. Both ends of the ridge are decorated with phoenix figures. The big square in front of the temple, which is said to have been used as a military training site, is now used for festival celebrations.

Festival Programmes


Festival started at 7pm on the first day, when members of the Tung Chung Rural Committee worshipped in the Hau Wong Temple and invited Hau Wong to watch the performance. Then began the Chinese operas and dramas for the deities including the play Six States Installation of Minister, etc. In the second evening, nearly hundred villagers and guests are invited to the grand free dinner held at the square in front of the temple. During the dinner, a stand-in Hau Wong statue was invited from the temple to watch the auctions for divine objects (including statues of deities, lanterns and sailing ships). Villagers were active in bidding, and all the revenues were reserved for funding the activities.

The 18th day of the 8th Lunar Month was the 'day proper' 正日of the festival. Villagers brought offerings (such as golden pigs and crowns for Hau Wong) to pay their homage in the Hau Wong temple. Members from Flower Cannon Associations also came one after another to return their tributes. Flower Cannons nowadays were simplified which were in the form of deity statues instead of additional huge paper floral tribute towers. Dragon and lion dancers also came to show their excellent skills in front of the temple to entertain people and the deities, which brought the celebration to a climax. In the afternoon there were Cantonese opera performances – first conventional auspicious plays, and then serious plays


Auctions for Flower Cannon


Opposite to the Hau Wong temple was a large theatre shed for the deities and villagers to enjoy Cantonese operas. The area in front of the stage could accommodate one thousand people. Dozens of small sheds were also built on both sides of the stage for members of Flower Cannon Associations to take rest. At 1pm on the fourth day, all associations gathered in the sheds to bid for floral tributes. The stand-in Hau Wong statue was invited from the Hau Wong temple by members of Tung Chung Rural Committee to ‘monitor’ the process.


There were 22 tributes in total for the bidders with the highest prices. The ‘first tribute’ and the ‘second tribute’ ‘auxiliary first tribute’? were the most popular ones. This unique redistribution approach was different from ‘fighting for the tributes’ or ‘lucky draws’ in all the other places in Hong Kong. The associations that obtained the tributes (that is, the deity statues) could keep them for a year and then return in the following year for another auction.





 
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{{isAutoplayM? 'Stop' : 'Go'}}

The 16th – 20th day of the 8th month of the Lunar Calendar


Hau Wong, literally “Prince Marquis”, is a traditionally worshipped deity in the south part of Guangdong Province. There are several Hau Wong temples scattering in different places of Hong Kong, such as Kowloon, New Territories and the outlying islands. Despite the small number of worshippers, birthday celebration for Hau Wong was held every year at those temples within the traditional communities, which was were no less exuberant than other deities’ birthday celebration.

Hau Wong’s Identity


No conclusion has been drawn on Hau Wong’s identity. According to Chan Pak-to, a scholar of Qing Dynasty, Hau Wong should be the Prince Marquis Yeung Leung-jit, who was a general known for his loyalty in the late Southern Song Dynasty. He was bestowed the title ‘Marquis’ when he was alive and ‘King’ upon his death. Since he courageously protected the last emperor of that dynasty, the temple was built to venerate him. Other scholars suggest that Hau Wong was a person named Yeung Hau, people called him 'King Yeung Hau', who had cured Emperor Bing, the last emperor of the Southern Song Dynasty. Nonetheless, the unidentified origin does not undermine adherents’ devoutness to Hau Wong.

Different Birthdays


In Hong Kong, there are three birthdays for Hau Wong, namely, 6th day, 16th day of the 6th Lunar month, and the 18th day of the 8th Lunar month. The celebrations for Hau Wong’s Birthday in Tung Chung are of the largest scale for Hau Wong’s Birthday. According to the local elders, the birthday was on the 6th of the 6th Lunar month in the early years, however, farmers were normally busy with planting rice during that period, so the festival was rescheduled and became a five-day celebration after the Mid-Autumn Festival. During the festival, live Chinese operas and dramas for deities were performed free of charge for the residents in the neighborhood. Dinner gatherings and auctions for holy relics were also arranged. This heated festival had become an important celebration which connected residents from both the sea and inland in Tung Chung.

Tung Chung Hau Wong Temple


Tung Chung Hau Wong Temple is located at Sha Tsui Tau. There is a copper bell in the temple made in 1765, which infers that the temple was built no later than that year. Apart from Hau Wong, the temple also houses Choi Sun, the God of Prosperity, in the left room. The lifelike miniature human figures on the roof ridge are Shek Wan productions made in 1910. Both ends of the ridge are decorated with phoenix figures. The big square in front of the temple, which is said to have been used as a military training site, is now used for festival celebrations.

Festival Programmes


Festival started at 7pm on the first day, when members of the Tung Chung Rural Committee worshipped in the Hau Wong Temple and invited Hau Wong to watch the performance. Then began the Chinese operas and dramas for the deities including the play Six States Installation of Minister, etc. In the second evening, nearly hundred villagers and guests are invited to the grand free dinner held at the square in front of the temple. During the dinner, a stand-in Hau Wong statue was invited from the temple to watch the auctions for divine objects (including statues of deities, lanterns and sailing ships). Villagers were active in bidding, and all the revenues were reserved for funding the activities.

The 18th day of the 8th Lunar Month was the 'day proper' 正日of the festival. Villagers brought offerings (such as golden pigs and crowns for Hau Wong) to pay their homage in the Hau Wong temple. Members from Flower Cannon Associations also came one after another to return their tributes. Flower Cannons nowadays were simplified which were in the form of deity statues instead of additional huge paper floral tribute towers. Dragon and lion dancers also came to show their excellent skills in front of the temple to entertain people and the deities, which brought the celebration to a climax. In the afternoon there were Cantonese opera performances – first conventional auspicious plays, and then serious plays


Auctions for Flower Cannon


Opposite to the Hau Wong temple was a large theatre shed for the deities and villagers to enjoy Cantonese operas. The area in front of the stage could accommodate one thousand people. Dozens of small sheds were also built on both sides of the stage for members of Flower Cannon Associations to take rest. At 1pm on the fourth day, all associations gathered in the sheds to bid for floral tributes. The stand-in Hau Wong statue was invited from the Hau Wong temple by members of Tung Chung Rural Committee to ‘monitor’ the process.


There were 22 tributes in total for the bidders with the highest prices. The ‘first tribute’ and the ‘second tribute’ ‘auxiliary first tribute’? were the most popular ones. This unique redistribution approach was different from ‘fighting for the tributes’ or ‘lucky draws’ in all the other places in Hong Kong. The associations that obtained the tributes (that is, the deity statues) could keep them for a year and then return in the following year for another auction.





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