Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
People | Zheng Minzhong |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
People | Zheng Minzhong |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
People | Zheng Minzhong |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
People | Zheng Minzhong |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
People | Zheng Minzhong |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
People | Zheng Minzhong |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
People | Zheng Minzhong |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date of Death | unknown |
People | Zheng Minzhong |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
Ultra thick old string
It is said that Guan Pinghu preferred ultra thick strings. His strings were all made to order. This was not unlikely, for at the back of the string wrapping of Fang Yuting Cooperative for the Production of Strings, there was the claim that “silk strings of all thickness are produced”. Zheng Minzhong was a student of Guan Pinghu, and his habit of using strings may also have been influenced by his teacher.The diameter of this string is longer than the first string of jiazhong Taigu String, so the specification is different from that of ordinary strings. This string is formerly in the collection of Zheng Minzhong and its production date is unknown.

Date | unknown |
Material Type | Image |
People | Zheng Minzhong |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Wong Shu-chee |
Repository | Wong Shu-chee |
Note to Copyright | Permission for use in Hong Kong Memory is given by Wong Shu-chee |
Accession No. | lcs-hkqs-0153 |
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