Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date of Death | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
Yung Sze-chak’s heirloom manuscript
Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.
| Date | 1950s |
| Material Type | Image |
| Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
| Source | Courtesy of Yung Hak-chi, Hammond |
| Repository | Yung Hak-chi, Hammond |
| Note to Copyright | Permission for use in Hong Kong Memory is given by Yung Hak-chi, Hammond |
| Accession No. | lcs-hkqs-0035 |
Other photos
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