20th Century Hong Kong Painted Porcelains—Gangcai
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20th Century Hong Kong Painted Porcelains—Gangcai
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"Marked" Porcelain

Marking Hong Kong’s Historical Footprints: 'Marked Porcelain'


Among the domestic products of Gangcai factories were so-called 'marked porcelain' (嘜頭瓷): pieces stamped with customised marks designed for individual clients. These Hong Kong-made wares have become, in their own way, vignettes of the city’s history.


The Chinese character '嘜' is transliteration of the English word 'mark', reflecting the cosmopolitan ethos of Hong Kong where Chinese and Western cultures intermingled. Local eateries, schools, churches, charitable organisations, societies, the police force, community groups, and even celebrities and prominent families frequently commissioned such custom porcelain. Branded porcelain served to enhance institutional image, foster collective identity, commemorate significant events, or signal status. From the perspective of local historical research, the invaluable significance of branded porcelain cannot be overlooked!


6.7Pic1
Copper-encased ashtray of Emperor’s Choice Restauran (1960s to1990s; Painted and collected by Yuet Tung China Works)
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French restaurant menu plate painted with peacock and floral design (Mid 1970s; Painted and collected by Yuet Tung China Works)


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Serving plate for roasted goose at Dragon Inn Seafood Restaurant (Painted and collected by Yuet Tung China Works)
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Commemorative plate of the music ministries department of The Church of Christ in China Hop Yat Church (Hong Kong Church) (1956; Collection of The Story House of Ancient Chinese Culinary Ware)


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Calligraphy saucer for a coffee shop in Erlipu (Painted and collected by Yuet Tung China Works)
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Mug commemorating the Handover of Hong Kong (1997; Painted and collected by Cheung Kam Ping)


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"Marked" Porcelain

Marking Hong Kong’s Historical Footprints: 'Marked Porcelain'


Among the domestic products of Gangcai factories were so-called 'marked porcelain' (嘜頭瓷): pieces stamped with customised marks designed for individual clients. These Hong Kong-made wares have become, in their own way, vignettes of the city’s history.


The Chinese character '嘜' is transliteration of the English word 'mark', reflecting the cosmopolitan ethos of Hong Kong where Chinese and Western cultures intermingled. Local eateries, schools, churches, charitable organisations, societies, the police force, community groups, and even celebrities and prominent families frequently commissioned such custom porcelain. Branded porcelain served to enhance institutional image, foster collective identity, commemorate significant events, or signal status. From the perspective of local historical research, the invaluable significance of branded porcelain cannot be overlooked!


6.7Pic1
Copper-encased ashtray of Emperor’s Choice Restauran (1960s to1990s; Painted and collected by Yuet Tung China Works)
6.7Pic2
French restaurant menu plate painted with peacock and floral design (Mid 1970s; Painted and collected by Yuet Tung China Works)


6.7Pic3
Serving plate for roasted goose at Dragon Inn Seafood Restaurant (Painted and collected by Yuet Tung China Works)
6.7Pic5
Commemorative plate of the music ministries department of The Church of Christ in China Hop Yat Church (Hong Kong Church) (1956; Collection of The Story House of Ancient Chinese Culinary Ware)


6.7Pic6
Calligraphy saucer for a coffee shop in Erlipu (Painted and collected by Yuet Tung China Works)
6.7Pic7
Mug commemorating the Handover of Hong Kong (1997; Painted and collected by Cheung Kam Ping)


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