Colouring the Revolution: Chromatic Vibrancy of Wilson Shieh in Kom Tong Hall (Image)
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Colouring the Revolution: Chromatic Vibrancy of Wilson Shieh in Kom Tong Hall (Image)
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Dr Sun Yat-sen Museum
Built in 1914, Kom Tong Hall was originally the residence of prominent Hong Kong businessman Ho Kom Tong. It was gazetted as a Declared Monument of Hong Kong in 2010. The Hong Kong Government bought Kom Tong Hall in 2004 and converted it into the Dr Sun Yat-sen Museum.
Corridor in Dr Sun Yat-sen Museum
The architectural details tell the life stories of the building. The patterns on the tiles give clues to the owner's interest and the cultural features of the times.
Artist Wilson Shieh
Wilson Shieh hoped to inject more vivacity of colours into Kom Tong Hall through his paintings.
Guangdong, late Qing Dynasty
Dr Sun Yat-sen lived in his hometown, Cuiheng Village in Xiangshan County, Guangdong Province when he was young. The region produced a local type of enamel ware called Guangcai, or 'Canton enamels'. Such images and decorations constituted the theme of this panel. (Guangdong, late Qing Dynasty by Leung Lai Man, Jess)
Early Republic of China
The window designs of Shanghai that merged traditional sculpture and western-style stained glass windows were used for featuring the period of the 1911 Revolution. (Early Republic of China by Wilson Shieh)
Hong Kong Victorian era
The screen pattern in Victorian style implied Dr Sun Yat-sen's period of studying in Hong Kong. (Hong Kong, Victorian era by Wong Wing Shan (Flyingpig))
Japan, Meiji period
After failure of first uprising in 1895, Dr Sun Yat-sen underwent an exile in Japan. The ukiyo-e genre which depicted Japanese customs and lifestyles was aptly regarded as the representative feature of pre-modernist Japanese art. (Japan, Meiji period by Cheng Ting Ting and Cho Wing Ki)
Artefacts in Dr Sun Yat-sen Museum
Converted into Dr Sun Yat-sen Museum, Kom Tong Hall is now displaying with historical archives and artefacts to tell the story of Dr Sun Yat-sen.
Macau, Portuguese style
From the 16th to 20th century, Macau had been a Portuguese colony. The blue-and-white ceramic tiles have become an iconic feature of Macau. (Macau, Portuguese style by Cho Wing Ki)