Lam Tung Pang made his artist's log on display at Wong Uk. From first encounter to subsequent snippets of thoughts, it records a creative process which is akin to a sentimental journey for the artist.
Lam Tung Pang made his artist's log on display at Wong Uk. From first encounter to subsequent snippets of thoughts, it records a creative process which is akin to a sentimental journey for the artist.
Lam Tung Pang made his artist's log on display at Wong Uk. From first encounter to subsequent snippets of thoughts, it records a creative process which is akin to a sentimental journey for the artist.
Section 1: Opening Lam Tung Pang, who lives in Sha Tin, turns Wong Uk into a home. He sees Sha Tin as an extension of his hometown, thus re-conceiving the relationship between 'home' and 'native place'. He recalls his ancestral home in Fujian while seeing the courtyard at Wong Uk. By placing a little house with plants inside, he infuses liveliness into the old house.
Section 1: Opening Lam Tung Pang, who lives in Sha Tin, turns Wong Uk into a home. He sees Sha Tin as an extension of his hometown, thus re-conceiving the relationship between 'home' and 'native place'. He recalls his ancestral home in Fujian while seeing the courtyard at Wong Uk. By placing a little house with plants inside, he infuses liveliness into the old house.
Section 2: Diary of Sha Tin Indigo Sha Tin was once known for natural indigo dyeing. With villagers' help, Lam Tung Pang found the forgotten wrightia laevis ("big blue tree") to make indigo dye and successfully realised the "Sha Tin Indigo".
Section 2: Diary of Sha Tin Indigo Sha Tin was once known for natural indigo dyeing. With villagers' help, Lam Tung Pang found the forgotten wrightia laevis ("big blue tree") to make indigo dye and successfully realised the "Sha Tin Indigo".
Section 3: Courtyard Lam Tung Pang, who lives in Sha Tin, turns Wong Uk into a home. He sees Sha Tin as an extension of his hometown, thus re-conceiving the relationship between 'home' and 'native place'. He recalls his ancestral home in Fujian while seeing the courtyard at Wong Uk. By placing a little house with plants inside, he infuses liveliness into the old house.
Section 3: Courtyard Lam Tung Pang, who lives in Sha Tin, turns Wong Uk into a home. He sees Sha Tin as an extension of his hometown, thus re-conceiving the relationship between 'home' and 'native place'. He recalls his ancestral home in Fujian while seeing the courtyard at Wong Uk. By placing a little house with plants inside, he infuses liveliness into the old house.
Section 4: Sightseeing in furniture Through art installation, Lam Tung Pang juxtaposes used furniture with modern ones, and re-enacts different scenes of everyday life with paintings and everyday objects. The blue magpie in the projection, which is a frequent visitor in Sha Tin, echoes with the bird painting on the screen.
Section 4: Sightseeing in furniture Through art installation, Lam Tung Pang juxtaposes used furniture with modern ones, and re-enacts different scenes of everyday life with paintings and everyday objects. The blue magpie in the projection, which is a frequent visitor in Sha Tin, echoes with the bird painting on the screen.
Section 4: Sightseeing in furniture Through art installation, Lam Tung Pang juxtaposes used furniture with modern ones, and re-enacts different scenes of everyday life with paintings and everyday objects. The blue magpie in the projection, which is a frequent visitor in Sha Tin, echoes with the bird painting on the screen.
Section 4: Sightseeing in furniture Through art installation, Lam Tung Pang juxtaposes used furniture with modern ones, and re-enacts different scenes of everyday life with paintings and everyday objects. The blue magpie in the projection, which is a frequent visitor in Sha Tin, echoes with the bird painting on the screen.
