Repertoire: Frolicking with a Pretty Maid in the Wineshop Lam Kar Sing, age 11, and his sister, Man Nei, began to receive formal training in traditional Chinese opera from Tang Chiu Lan Fong, with a focus on traditional plots and singing in the 'dialect of the Central Plains'. This play was one of the traditional plots that Lam Kar Sing learned.
Repertoire: Flower and the Top Scholar After Sit Kok Sin passed away, the famous impresario, Shing Doh Na, formed the Kok Sing Opera Troupe which performed Sit Kok Sin's classics. Seen here is the show on opening night, which was going to be a milestone occasion for Lam Kar Sing.
Repertoire: Torn between Love and Hate This is a rather extended scene from a play about love and vengeance, man mou sang and fa dan (principal male and female roles) in this play are expected to deliver a range of emotional nuances. Lam Kar Sing and his stage partner created a highly touching scene by sheer virtuosity.
Lam Kar Sing recorded his stage experiences in a series of publications and records entitled Virtuosity and Innovation – My Performance Style to provide a reference work for future generations of performers.
Lam Kar Sing shares his performance skill with up-and-coming Cantonese opera artists at the "Masterful Legacy of Lam Kar Sing - A Sharing Session on the Inheritance of Cantonese Opera".
