Date | 2009 |
Style | Fuxi |
Size | Length (Whole 123.5 cm, Strings 112 cm); Width (Forehead 21.2 cm, Shoulder 20 cm, Tail 15.5 cm); Thickness 5.8 cm |
Weight | 3.5 kg |
Body | Chinese fir top; Hardwood bottom |
Accessories | Mother-of-pearl inlay markers; Rosewood tuning pegs, feet, bridge and tail pieces |
Inscription | [Chinese inscription](一)軫池下方隸書「秋濤」 (二)龍池上方隸書銘文: 何事消長日 琴書相與俱 無弦饒趣味 不解亦歡愉 儒琴林子超書 (三)龍池下方篆文「特立獨行」方印 |
Maker's Note | I long for a room filled with qin and books with a window where I can appreciate flowers and birds. Through the ages, those who have left behind poetry and literature have always found company to appreciate their talents. What a good verse Li Shangyin has written, “a plain qin with broken strings and an empty wine bottle”. Who cares whether he knew how to play the qin? I wish I could have emptied the wine bottle with him. |
People | Lam Chi-chiu, Roland | Choi Chang Sau Qin Making Society |
Object | Musical instrument |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Lam Chi-chiu, Roland |
Repository | Lam Chi-chiu, Roland |
Note to Copyright | Permission for use in Hong Kong Memory is given by Lam Chi-chiu, Roland |
Accession No. | lcs-hkqs-0199 |