Date | Mid 1980s |
Style | Zhongni |
Size | Length (Whole 123 cm, Strings 112 cm); Width (Forehead 18.2 cm, Shoulder 19.5 cm, Tail 14.2 cm); Thickness 5.1 cm |
Weight | 3 kg |
Body | Chinese parasol top; Chinese fir bottom |
Accessories | Mother-of-pearl inlay markers; Buffalo horn tuning pegs; Ebony feet, bridge and tail pieces |
Inscription | [Chinese inscription](一)軫池下方篆書「滄浪」 (二)龍池兩旁草書銘文: 天風乎 水擊之聲 海水乎 風鼓之鳴 橈之深湛 泛之輕清 挽天河兮洗耳聽 攬明月兮到中庭 撫一曲兮求知音 選堂書 文鏡銘 (款下篆文「宗頤之印」、「選堂」方印各一) (三)龍池下方篆文「昌壽精斲」圓印、「存誠養德」方印、「傳世之寶」方印 (四)鳯沼左方篆文「昌壽」方印;右方「銳祖監製」方印 |
Maker's Note | This qin is inscribed with Canglang (Azure Water), the eleventh poem of the Jingzhai Shi’er Qinming. My friend, the Cantonese opera singer from Macau, Li Yui-cho arranged the inscriptions. |
People | Choi Chang-sau |
Object | Musical instrument |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Choi Chang-sau |
Repository | Choi Chang-sau |
Note to Copyright | Permission for use in Hong Kong Memory is given by Choi Chang-sau |
Accession No. | lcs-hkqs-0075 |