Date | Mid 1980s |
Style | Zhongni |
Size | Length (Whole 123 cm, Strings 112 cm); Width (Forehead 18.5 cm, Shoulder 19.8 cm, Tail 14 cm); Thickness 5.3 cm |
Weight | 3 kg |
Body | Chinese parasol top; Chinese fir bottom |
Accessories | Mother-of-pearl inlay markers; Buffalo horn tuning pegs; Rosewood feet; Ebony bridge and tail pieces |
Inscription | [Chinese inscription](一)軫池下方篆書「元白」 (二)龍池兩旁楷書銘文: 兀然高出者元 介然不染者白 元者玄 依於禪 白者潔 退於密 茲不可乎復得 撫斯琴兮長憶 文鏡銘 選堂書 (款下篆文「饒宗頤印」、「今荊蠻民」方印各一) (三)龍池下方篆文「昌壽精斲」圓印、「存誠養德」方印 (四)鳯沼左方篆文「昌壽」方印 |
Maker's Note | This qin is inscribed with Yuanbai, the seventh poem in the Jingzhai Shi’er Qinming. Xu Yuanbai (1893-1957) was Xu Wenjing’s elder brother and a qin player of the Zhejiang School. |
People | Choi Chang-sau |
Object | Musical instrument |
Material Type | Image |
Collection | The Legend of Silk and Wood: A Hong Kong Qin Story |
Source | Courtesy of Choi Chang-sau |
Repository | Choi Chang-sau |
Note to Copyright | Permission for use in Hong Kong Memory is given by Choi Chang-sau |
Accession No. | lcs-hkqs-0067 |