Yung Sze-chak’s heirloom manuscript

Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of qin studies. He could play over 20 qin pieces adeptly, including Pingsha Luoyan (Wild Geese Landing on Sand) in Chuncaotang Qinpu. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf.

Yung Sze-chak’s heirloom manuscript Yung Sze-chak (1931-2010) was the fourth-generation Yung family successor of <i>qin</i> studies. He could play over 20 <i>qin</i> pieces adeptly, including <i>Pingsha Luoyan</i> (<i>Wild Geese Landing on Sand</i>) in <i>Chuncaotang Qinpu</i>. Yung Sze-chak's heirloom manuscript was transcribed in the 1950s, the calligraphy on the cover was written by Yung Sum-yin on Sze-chak's behalf. Share